Over the next month, I'll be offering thoughts on the Nativity set model, a large papercraft crèche that you can find and download here:
Advent Calendar Day 22: The Tempter
The Eastern Orthodox Church has its own nativity traditions,
and one of them is depicting an old shepherd dressed in animal skins. Byzantine art pretty much always shows
sad-sack Joseph sitting despondent and pouty off in a corner (just google
search “Byzantine Nativity Art” and take in dozens of Josephs who make Keanu
Reeves look positively jubilant by contrast).
Nature, and with it any semblance of Joseph’s paternal/husbandly
authority, has been vanquished by a sexless conception, and Joseph, his world
upended, doesn’t take it well.
Though there are shepherds, including old hide-wearing ones,
in early nativity icons, one in particular becomes a narrative figure by the
early 1300s: The Tempter, who stands next to Joseph, stoking Joseph’s doubt
about Mary’s virginity. This is either a
man doing the devil’s work (though some early versions treat him instead as a
man doing the Lord’s work, reminding Joseph of ancient words of Isaiah that
Christians would take as prophecy regarding a virgin birth) or the devil
himself in disguise.
By the mid-1300s, you see James, Joseph’s son, interceding,
attempting to ward this tempter (this is also, I believe, the first usage of
James in Nativity art) to save his father from doubt, or maybe to just give the
really, really sad guy a little space.
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